Poems by various Authors, including Paterson and Wordsworth.
Poems on This Page:
- Daffodils, by William Wordsworth, English Poet, This poem came fifth in a 1995 poll which the BBC Radio 4 Bookworm programme conducted to identify the UK’s favourite poems. The poem is also known as, ‘I Wandered Lonely as a Cloud.’ William Wordsworth was apparently inspired to write this poem by an encounter while taking a stroll with his younger sister, when a “long belt” of daffodils became visible on the shore of Ullswater.
- Said Hanrahan, by John O’Brien (Australian author and bush poet). This classic bush poem humorously captures the persistent pessimism of a farmer named Hanrahan as he reacts to the unpredictable Australian weather and seasons.
- The Man From Snowy River, by A.B. Paterson, must be Australia’s most famous bush ballad, which tells the story of a challenging horseback pursuit across rough and steep Australian bush terrain, to recapture the colt of a prize-winning racehorse by rounding up and bringing back the mob of wild brumbies he is now associating with. Against the odds, a mysterious and unknown man from Snowy River prevails, and rounds up the mob, winning the day in front of a large audience of seasoned stockmen who were not equal to the task.
- Core of My Heart, by Dorothea Mackellar (1885–1968). Mackellar wrote the poem at just 19 years of age, expressing her deep love for the Australian landscape. Her family owned substantial properties in rural Australia, and after travelling extensively through Europe with her father as a teenager, she began drafting the poem in London in 1904 before returning home. First published as “Core of My Heart” in London’s The Spectator on 5 September 1908, it was subsequently reprinted in numerous Australian publications to widespread acclaim. Today, it is widely known as “My Country.”
- If—, by Rudyard Kipling. Written as a tribute to Leander Starr Jameson, this famous stoic poem offers inspirational advice on integrity and self-discipline. Kipling was a British journalist, poet, novelist, and short-story writer born in Bombay, India, to British parents.
- Bell-Birds, by Henry Kendall, is a poem that was first published in November 1867 in the Australian publication, The Sydney Morning Herald. The bell-bird is an iconic Australian bird whose voice echoes like the chime of a bell. The poem is a well-loved depiction of the beauty of nature, landscapes, forests and bell-birds. The gentle rhythm of the poem makes it seem melodic. This poem has been successfully set to music.
Daffodils by William Wordsworth
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
[First Published in 1807, in Poems, in Two Volumes]
Said Hanrahan, by John O’Brien
“We’ll all be rooned,” said Hanrahan,
In accents most forlorn,
Outside the church, ere Mass began,
One frosty Sunday morn.
The congregation stood about,
Coat-collars to the ears,
And talked of stock, and crops, and drought,
As it had done for years.
“It’s looking crook,” said Daniel Croke;
“Bedad, it’s cruke, me lad,
For never since the banks went broke
Has seasons been so bad.”
“It’s dry, all right,” said young O’Neil,
With which astute remark
He squatted down upon his heel
And chewed a piece of bark.
And so around the chorus ran
“It’s keepin’ dry, no doubt.”
“We’ll all be rooned,” said Hanrahan,
“Before the year is out.”
“The crops are done; ye’ll have your work
To save one bag of grain;
From here way out to Back-o’-Bourke
They’re singin’ out for rain.
“They’re singin’ out for rain,” he said,
“And all the tanks are dry.”
The congregation scratched its head,
And gazed around the sky.
“There won’t be grass, in any case,
Enough to feed an ass;
There’s not a blade on Casey’s place
As I came down to Mass.”
“If rain don’t come this month,” said Dan,
And cleared his throat to speak —
“We’ll all be rooned,” said Hanrahan,
“If rain don’t come this week.”
A heavy silence seemed to steal
On all at this remark;
And each man squatted on his heel,
And chewed a piece of bark.
“We want an inch of rain, we do,”
O’Neil observed at last;
But Croke “maintained” we wanted two
To put the danger past.
“If we don’t get three inches, man,
Or four to break this drought,
We’ll all be rooned,” said Hanrahan,
“Before the year is out.”
In God’s good time down came the rain;
And all the afternoon
On iron roof and window-pane
It drummed a homely tune.
And through the night it pattered still,
And lightsome, gladsome elves
On dripping spout and window-sill
Kept talking to themselves.
It pelted, pelted all day long,
A-singing at its work,
Till every heart took up the song
Way out to Back-o’-Bourke.
And every creek a banker ran,
And dams filled overtop;
“We’ll all be rooned,” said Hanrahan,
“If this rain doesn’t stop.”
And stop it did, in God’s good time;
And spring came in to fold
A mantle o’er the hills sublime
Of green and pink and gold.
And days went by on dancing feet,
With harvest-hopes immense,
And laughing eyes beheld the wheat
Nid-nodding o’er the fence.
And, oh, the smiles on every face,
As happy lad and lass
Through grass knee-deep on Casey’s place
Went riding down to Mass.
While round the church in clothes genteel
Discoursed the men of mark,
And each man squatted on his heel,
And chewed his piece of bark.
“There’ll be bush-fires for sure, me man,
There will, without a doubt;
We’ll all be rooned,” said Hanrahan,
“Before the year is out.”
[Published in:
John O’Brien. Around the Boree Log and Other Verses, Angus & Robertson, Sydney, 1921]
The Man From Snowy River, by A.B. Paterson
There was movement at the station, for the word had passed around
That the colt from Old Regret had got away,
And had joined the wild bush horses — he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stock-horse snuffs the battle with delight.
There was Harrison, who made his pile when Pardon won the cup,
The old man with his hair as white as snow;
But few could ride beside him when his blood was fairly up —
He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand,
No better horseman ever held the reins;
For never horse could throw him while the saddle-girths would stand,
He learnt to ride while droving on the plains.
And one was there, a stripling on a small and weedy beast,
He was something like a racehorse undersized,
With a touch of Timor pony — three parts thoroughbred at least —
And such as are by mountain horsemen prized.
He was hard and tough and wiry — just the sort that won’t say die —
There was courage in his quick impatient tread;
And he bore the badge of gameness in his bright and fiery eye,
And the proud and lofty carriage of his head.
But still so slight and weedy, one would doubt his power to stay,
And the old man said, “That horse will never do
For a long and tiring gallop — lad, you’d better stop away,
Those hills are far too rough for such as you.”
So he waited sad and wistful — only Clancy stood his friend —
“I think we ought to let him come,” he said;
“I warrant he’ll be with us when he’s wanted at the end,
For both his horse and he are mountain bred.”
“He hails from Snowy River, up by Kosciusko’s side,
Where the hills are twice as steep and twice as rough,
Where a horse’s hoofs strike firelight from the flint stones every stride,
The man that holds his own is good enough.
And the Snowy River riders on the mountains make their home,
Where the river runs those giant hills between;
I have seen full many horsemen since I first commenced to roam,
But nowhere yet such horsemen have I seen.”
So he went — they found the horses by the big mimosa clump —
They raced away towards the mountain’s brow,
And the old man gave his orders, “Boys, go at them from the jump,
No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills,
For never yet was rider that could keep the mob in sight,
If once they gain the shelter of those hills.”
So Clancy rode to wheel them — he was racing on the wing
Where the best and boldest riders take their place,
And he raced his stock-horse past them, and he made the ranges ring
With the stockwhip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash,
But they saw their well-loved mountain full in view,
And they charged beneath the stockwhip with a sharp and sudden dash,
And off into the mountain scrub they flew.
Then fast the horsemen followed, where the gorges deep and black
Resounded to the thunder of their tread,
And the stockwhips woke the echoes, and they fiercely answered back
From cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way,
Where mountain ash and kurrajong grew wide;
And the old man muttered fiercely, “We may bid the mob good day,
No man can hold them down the other side.”
When they reached the mountain’s summit, even Clancy took a pull,
It well might make the boldest hold their breath,
The wild hop scrub grew thickly, and the hidden ground was full
Of wombat holes, and any slip was death.
But the man from Snowy River let the pony have his head,
And he swung his stockwhip round and gave a cheer,
And he raced him down the mountain like a torrent down its bed,
While the others stood and watched in very fear.
He sent the flint stones flying, but the pony kept his feet,
He cleared the fallen timber in his stride,
And the man from Snowy River never shifted in his seat —
It was grand to see that mountain horseman ride.
Through the stringy barks and saplings, on the rough and broken ground,
Down the hillside at a racing pace he went;
And he never drew the bridle till he landed safe and sound,
At the bottom of that terrible descent.
He was right among the horses as they climbed the further hill,
And the watchers on the mountain standing mute,
Saw him ply the stockwhip fiercely, he was right among them still,
As he raced across the clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met
In the ranges, but a final glimpse reveals
On a dim and distant hillside the wild horses racing yet,
With the man from Snowy River at their heels.
And he ran them single-handed till their sides were white with foam.
He followed like a bloodhound on their track,
Till they halted cowed and beaten, then he turned their heads for home,
And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot,
He was blood from hip to shoulder from the spur;
But his pluck was still undaunted, and his courage fiery hot,
For never yet was mountain horse a cur.
And down by Kosciusko, where the pine-clad ridges raise
Their torn and rugged battlements on high,
Where the air is clear as crystal, and the white stars fairly blaze
At midnight in the cold and frosty sky,
And where around the Overflow the reedbeds sweep and sway
To the breezes, and the rolling plains are wide,
The man from Snowy River is a household word to-day,
And the stockmen tell the story of his ride.
[Published in The Man From Snowy River and Other Verses, 1895]
If, by Rudyard Kipling
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or being hated don’t give way to hating,
And yet don’t look too good, nor talk too wise;
If you can dream- -and not make dreams your master;
If you can think- -and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build’em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on! ‘
If you can talk with crowds and keep your virtue,
Or walk with Kings- -nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And- -which is more- -you’ll be a Man, my son!
[This poem If was first published in Rewards and Fairies (1910)]
Core of My Heart, by Dorothea Mackellar
The love of field and coppice,
Of green and shaded lanes,
Of ordered woods and gardens,
Is running in your veins —
Strong love of grey-blue distance,
Brown streams and soft, dim skies …
I know but cannot share it,
My love is otherwise.
I love a sunburnt country,
A land of sweeping plains,
Of ragged mountain ranges,
Of droughts and flooding rains.
I love her far horizons,
I love her jewel sea,
Her beauty and her terror —
The wide brown land for me!
The stark white ring-barked forests
All tragic ’neath the moon,
The sapphire-misted mountains,
The hot gold hush of noon —
Green tangle of the brushes
Where lithe lianas coil,
And orchids deck the treetops,
And ferns the crimson soil.
Core of my heart, my country —
Her pitiless blue sky,
When sick at heart, around us
We see the cattle die …
And then the grey clouds gather,
And we can bless again
The drumming of an army,
The steady, soaking rain.
Core of my heart, my country,
Land of the rainbow gold —
For flood and fire and famine
She pays us back three-fold …
Over the thirsty paddocks
Watch, after many days,
The filmy veil of greenness
That thickens as you gaze …
An opal-hearted country,
A wilful, lavish land —
All you who have not loved her,
You will not understand …
Though Earth holds many splendours,
Wherever I may die,
I know to what brown country
My homing thoughts will fly.
[By Dorothea Mackellar, published in The Spectator, UK, 1908.]
Bell-Birds by Henry Kendall
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling:
It lives in the mountain where moss and the sedges
Touch with their beauty the banks and the ledges.
Through breaks of the cedar and sycamore bowers
Struggles the light that is love to the flowers;
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of daytime!
They sing in September their songs of the May-time;
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together
They start up like fairies that follow fair weather;
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.
October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters knee-deep, in the grasses, to listen,
Where dripping rocks gleam and the leafy pools glisten:
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the Morning.
Welcome as waters unkissed by the summers
Are the voices of bell-birds to thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels whose torrents
Are toned by the pebbles and leaves in the currents.
Often I sit, looking back to a childhood,
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion,
Lyrics with beats like the heart-beats of Passion;—
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest-rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys:
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.
[This poem by Henry Kendall, published in Leaves from Australian Forests (1869).]